Rita Bozi
A constant and ongoing inspiration is my wife, Rita Bozi. She inspires me on a macro level with her healthy approach to her body/mind, her dedication to her evolving spirit, and her zeal for life. And she inspires me on a micro level, listening to my daily lamentations and supporting me through life’s daily trials.

Plus, I am deeply in love.

ken & rita

Rita’s thirst for knowledge has motivated her to change careers many times. A graduate of the National Ballet School of Canada, she toured nationally and internationally as both a classical and modern dancer until retiring at the age of 30.

Rita began a part-time Shiatsu Therapy practice in Vancouver while also pursuing a career in theatre, film and TV.

She spent many busy years in Vancouver appearing in TV episodics including the X-Files, The Adams’ Family, Cold Squad and the Chris Isaack Show.

 

She wrote, produced, toured and performed in collective creations for theatre and taught part time at Langara College in the Shiatsu Practitioner Program.

She is still receiving royalties for 52 Pick Up, a play she co-wrote, co-produced, co-directed and acted in, which has been performed by 8 national and international theatre companies in 5 countries, including England, Australia, New Zealand and New York City. The play received the Chapters’ Best Text Award at the Montreal Fringe in 2000 and appeared at the High Performance Rodeo in Calgary.

Seeking a change of pace, Rita left Vancouver after 14 years and decided to move her life to Calgary to work with One Yellow Rabbit Performance Theatre for a season. Where we met, fell in love and eventually married.

Upon moving to Calgary, she began to realize that her heart was no longer on stage but in her studio working one on one with clients. She continues to appear periodically in films shot in Calgary (most recently A Problem With Fear, Chasing Freedom, A Word of Honour, and Lies My Mother Told Me). Her main focus, however, lies in her private practice and advancing her knowledge.

Rita Bozi is a Certified BodyTalk Practitioner and her toolbox further includes Three in One Concepts, Craniosacral Therapy, SomatoEmotional Release, Visceral Manipulation, Orthopedic Evaluation, Reiki, Compassionate Communication Techniques, The Alexander Method, Accelerated Learning Techniques and a comprehensive knowledge of the body through her studies in Pilates, Hatha and Bikram Yoga, Vipassana and a thirteen year career as both a classical and modern dancer.

Rita has several published articles on alternative health care which have appeared in Rising Women Magazine, Connections and in the HWEL Newsletter on the desnoyers-schuler website. She is a contributor to Calgary’s FFWD Weekly both as a writer and a photographer, in which she has had a Photo Series, a Photo Feature and several articles. She has currently turned her attention to writing short stories and has been recently published in the online fiction magazine Pages of Stories.

She is the proud owner of a Smart Car.

For more about Rita visit:
www.brillianthealingsystems.com


Allister and Carolyn Cameron
My parents are the foremost and biggest inspirations in my life … I have even written a play about them!  

My folks invested a lot of money in my education and they never once balked at the idea that I was wasting it by becoming an artist. Well … once: in my final year of high school, on parent-teacher night, my folks expressed some misgivings to my art teacher, who replied “all honest work is honourable”.  They quoted that remark back to me so many times I became sick of it!

Allister and Carolyn But my parent’s stress on being honourable is very telling. I consider my parents be the most honourable people I know.

My mother has served as President of the Women’s Teacher’s Union, The West Elgin Skating Club and the Port Stanley Festival Theatre; she has been co-chair of the speaker’s committee of the Women’s Canadian Club, has hosted a cable television show and has dressed up in a woolen dress on hot days at the Bakus Page House to teach children about history. My father has been President and District Governor of the Lion’s Club, head of the building committee at the Port Stanley Festival Theatre, a church elder, a farmer and a bureaucrat responsible for arranging loans for farmers via the Farm Credit Corporation.  Together they have done more to build the community of Dutton, Ontario than any two people alive.

I remember when I was five years old how I would go to town with my father to “get a few things”. Getting a few things inevitably turned any trip to town into a three hour journey while dad went to five different farms to sell raffle tickets, dropped something at the Lion’s Club and dropped by the ball park to check on sales at the fundraising hot-dog booth. I recall sitting in the car reading a comic book while I watched him march down the street, talking to every second person he met and thinking to myself “my Dad knows everybody in the whole wide world”.

ken as a boy Growing up on a farm meant two things, really: simple values like making homemade maple syrup … and isolation. The nearest guys my age were miles away and my sister was six years older than I. So I learned to play by myself, read and invent stories to amuse myself, all of which likely cultivated my imagination and contributed to my desire to become a writer.

Vipassana Meditation
Vipassana, which means to see things as they really are, is one of India's most ancient techniques of meditation. It was rediscovered by The Buddha more than 2500 years ago and was taught by him as a universal remedy for universal ills.

buddha This non-sectarian technique is a way of self-transformation through self-observation. It focuses on the deep interconnection between mind and body, which can be experienced directly by disciplined attention to the physical sensations that form the life of the body, and that continuously interconnect and condition the life of the mind.

It is this observation-based, self-exploratory journey to the common root of mind and body that results in a balanced mind full of love and compassion. Life becomes characterized by increased awareness, non-delusion, self-control and peace.

I am self-taught, having picked up meditation techniques from Rita, from books, from a brief flirtation with a Sanga (meditation centre) and from a short three day course, but its high time that I took a more detailed course. Vipassana is normally taught at ten-day residential courses during which participants follow a prescribed Code of Discipline, learn the basics of the method, and practice sufficiently to experience its beneficial results. While these courses require dedication and commitment, they are entirely free and ask only for a donation of whatever you can afford. It’s a wonder I have never been.


Pema Chodron
Pema Chodron is a leading exponent of teachings on meditation and how they apply to everyday life. She is widely known for her charming and down-to-earth interpretation of Tibetan Buddhism for Western audiences. Pema is the resident teacher at Gampo Abbey, Cape Breton, Nova Scotia, the first Tibetan monastery for Westerners and has authored several books.

I have had the privilege of reading:

• When Things Fall Apart
• Start Where You Are

pema

“We habitually erect a barrier called blame that keeps us from communicating genuinely with others, and we fortify it with our concepts of who's right and who's wrong.

We do that with the people who are closest to us and we do it with political systems, with all kinds of things that we don't like about our associates or our society.

It is a very common, ancient, well-perfected device for trying to feel better. Blame others.

Blaming is a way to protect your heart, trying to protect what is soft and open and tender in yourself. Rather than own that pain, we scramble to find some comfortable ground.”


- from In the Gap Between Right and Wrong

For more about Pema Chodron visit: www.shambhala.org



Nonviolent Communication
Nonviolent Communication (NVC) is sometimes referred to as “compassionate communication” or “empathic communication”, and frankly either is a much better title. When I say Nonviolent Communication, most people turn off right away, thinking “I’m not violent”. But in a way, most of our communication is violent in that when speaking or listening most people focus on what they want from the other person: rarely do we hear what the other person needs.

 

How many times have to found yourself listening to someone and thinking about what clever rejoinder you are going to say next? How many times do you find yourself reacting emotionally to the first part of what someone has said and failing to heed any qualifying remarks? Can you therefore say you are actually listening? Let alone hearing?

I find when I employ NVC I can make careful observations free of evaluation, and (like in meditation) observe my own reactions. I learn to hear my own deeper needs and those of others, and to identify and clearly articulate what I – and they - are wanting in a given moment.

When we focus on clarifying what is being observed, felt, and needed, rather than on diagnosing and judging, we discover that we can really understand and intuit what the other party needs, even when they themselves cannot articulate it.

I have found NVC useful in helping to diffuse aggressive situations, begin negotiations on the right foot, open up frank dialogue and even help others when they are feeling emotionally tender.  On a business level, it helps me get what I want: once someone feels their needs have been heard, they are invariably willing to compromise and, because I understand their needs, I am usually motivated to help them. So everyone wins.  On a personal level, I am a better listener, I remember more detail and every conversation is more pleasant.

Nonviolent Communication was developed by Marshall B. Rosenberg, Ph.D. and is book Nonviolent Communication: A Language of Life Published by PuddleDancer Press

You can find out more about at www.cnvc.org
or you can order the book: www.mcnallyrobinson.com


Sharon Pollock
Sharon Pollock is one of Canada’s best known playwrights, who’s plays have been produced across Canada and around the world.  I first met Sharon when I was a 21-year-old aspiring playwright attending a meet and greet at The Stratford Festival. Later, in the bar, she ditched a fawning actor so she could focus her attentions on a wide-ranging and dynamic discussion about the state of Canadian theatre with myself and a few other students. I fell in love with her for it.

Sharon Pollock

Sharon served as both President and later Executive Director of The Alberta Playwrights’ Network, immediately before I took over. As Executive Director I had the privilege of leaning on her for advice when needed, funding a few workshops of her new plays and eventually hiring her as the organization’s first ever playwright in residence.

Astonishingly, Sharon travelled to Sierra Leone a few years ago as a guest of CARE International and roughed it in one of the world’s most dangerous places.

She’s no young pup anymore, and as one of our nations most respected playwrights she could have gone to many, many places that were much, much easier to travel in. But that would hardly be Sharon Pollock.

Sharon has a pretty good website too:
www.sharonpollock.com


Bob Dylan, Bruce Cockburn and Tom Waits
These were amongst the first albums I bought in High School and it made me a freak. I attended a private boy’s boarding school, and being different was the easiest way to make you a target. But somehow, I didn’t care. The music moved and thrilled me.

bob dylan

Like everyone I have lots of favourite music, of course. I have chosen these three artists specifically because I found them early in life and they have remained amongst my favourites. 

Dylan and Cockburn share a political activism that shaped some of my early understanding about what music – and by extension, art – could do.

bruce cockburn I was moved enough by “If I Had a Rocket Launcher” and “Lovers In A Dangerous Time” to try to find out more about conflict in Central America. And Dylan instilled in me a healthy mistrust for and a rebellious instinct against authority. 
tom waits

And Tom Waits? I think he taught me that the best art often exists on the margins, and doesn’t need to appeal to everybody. That aesthetic sensibility has pervaded my work in the theatre, for better or worse.

You can google them yourself.


One Yellow Rabbit Performance Theatre
In my second year of my Masters at The University of Calgary I apprenticed as Assistant Director on Hamlet at Theatre Calgary, where I met and became friends with Andy Curtis. The next year, I volunteered as Assistant Director for Michael Green on a side project he was doing with The Green Fools.  After graduation I took a movement class with Denise Clarke. I had Blake Brooker left, and having worked with three Rabbits I wanted to see how the ensemble worked together, so I asked if I could observe some rehearsals of Doing Leonard Cohen. Blake said that observers made him nervous so I’d have to work. Then he insisted on paying me.

one yellow rabbit I had such a good time I asked if I could return the next year. By my third season their Stage Monster Ralph had retired and they asked me to step in and go with them on tour to Scotland.

So it was that my first SM gig was in a foreign language: Scottish.  I insisted on being called Assistant Director, not SM, and just as well because for the next few years I was Assistant Director, Stage Manager, Production Manager,  Assistant Tour Manager, Assistant Playwright and general dogsbody.

I continued doing side projects with Michael through the Shiny Beast Collective and my own projects at The Art Ranch, but it was the fabulous theatrical family of One Yellow Rabbit, more than any other artists, who have shaped my understanding of, and appreciation for, edgy experimental theatre.  Thank you guys.

You can find all about OYR at: www.oyr.org