Ticket sales have been dropping through the floor over the past decade, so I cut another few staff members and the survivors have to do two or three jobs each. Most of them are devoted to putting on the three, four or five plays that my provincial granting body considers a minimum requirement to sustain our funding. Whomever we can spare is working the phones to sell subscriptions, sponsorships or individual tickets.
Weʼre barely getting by. No one is thinking of the future.
On the corner of my desk – between the telephone and the vintage Mac – stands a tower of unread manuscripts. These represent the future to me. And the size of the pile makes me uneasy.
2010 photographs by V. Tony Hauser STAGE PRESENCE is a collection of 74 black & white portraits of stage artists who posed for Hauser’s large format camera, and are captured onto a now extinct Polaroid film. A truly great portrait is considered a revealing and intimate look into the soul …
Asian country’s one sanctuary of gay culture FFWD weekly, June 4, 2009 Excerpt: “Deep in the mountains of Indochina, on the shores of the mighty Mekong River, in the UNESCO World Heritage site of Luang Prabang where every city block features at least two Buddhist temples, each more beautiful than …
I fell in love with the Rideau Canal with my face pressed to the glass of a taxi. Ottawa was experiencing an unexpected April heat wave, with temperatures soaring into the 30s; my flight from Calgary had been delayed by snow. So it was love at first sight.
You can’t swing a dramaturge in Edmonton without hitting a few playwrights. It seems as if every second actor is writing a show for the fringe or, if she is taking a year off, she’s helping her buddy with his first playwriting venture. It’s not hard to figure out why this is: The Fringe.